Regrettably, my time with this image of our beautiful Mother must
end, and Sargent's Pieta speaks with one parting message: "See what my
womb has borne. Eat, my child, and live." Our eyes locked, I nod and
note: One cannot pass through her gates without emerging unchanged. She
is, after all, a woman of consequence.
Tunneling through the
glacial till of Shawmut Peninsula, Boston's subway line from Park Street
to Copley Square is the city's oldest. Completed in 1898, it connects
the legislative center on Beacon Hill to what was at the time,CMI moulding sells to retailers, the city's newly created cultural hub.
Revered
institutions encircled the square - institutions such as the Museum of
Fine Arts, MIT, Trinity Church - HH Richardson's glorious pile of
stained glass and Roxbury puddingstone, the Boston Art Club, and my
destination - the Boston Public Library.Find everything you need to know
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including causes, The first two have since moved from their birthplace,
but the others remain, still nobly gracing the square. Emerging from
the subway, I look quickly over my shoulder to glance in admiration at
the soaring Italianate campanile of the New Old South Church.
Across
the street from my momentarily diverted attention is Boston's "palace
for the people," its grande dame of architecture, its public library.
Designed by Charles McKim and completed in 1895, she comfortably reigns
over Copley Square. Well proportioned, handsomely clad, and tastefully
ornamented, she is confident but not prideful. From her north facing
limestone cornice, she speaks: "The Commonwealth Requires the Education
of the People as the Safeguard of Order and Liberty."
The
entrance is flanked by two imposing ladies in bronze. Sculpted by Bela
Pratt in 1911, Science guards the southern flank and Art the northern.
These stately women, robed and hooded, turn their gaze toward but not at
those wishing to enter. Sitting upon their respective bronze thrones,
their arms are open, a sign of welcome, but their knees are together and
angled toward each other, and thus their demeanor suggests that they
wish you to admire their trade but do not invite you to engage. As
sentries, their efforts are inconsequential.Wireless real realtimelocationsystem utlilizing wifi access points to pinpoint position of the tag.
Nodding
as I pass between them, my attempts at making eye contact with the pair
are thwarted by their inward focus. They distractedly allow my entry
into the building,About 1 in 5 people in the UK have recurring coldsores.
and I find that this "palace" does not disappoint. I am engulfed in the
warm glow of Iowa sandstone; the floor is white Georgia marble inlaid
with symbols of the zodiac; and the ceiling is a wonder of mosaic clad
domes. A pair of regal (and requisite) lions, sculpted by Saint-Gaudens,
beckons bibliophiles upward.
The grand marble staircase is a
memorial to the Commonwealth's Civil War infantry regiments, and
ascending this noble memorial is a pleasure of motion honoring our
veterans well. The memorial completes its ascent at the Puvis de
Chavannes Gallery which serves as a foyer to Bates Hall, the library's
magnificent reading room, but I'm continuing upward to the 3rd floor
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Ascending
again, this time up a dimly lit limestone canyon, I lazily run my
fingers along the smooth marble handrail, admiring the craftsmanship and
wondering where have all the craftsmen gone; artistry is integral to
every facet of this product of public munificence.
A quick
glance upward to add confidence to footfall, and I am suddenly brought
out of my reverie by the sight of something so unexpected, so utterly
anathema to our current cultural norms, so utterly scandalous even to
think of attempting in this day and age, and so utterly beautiful.
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