Exhibition At Expo Arts Center Questions Concept Of ''NOW''

A recent exhibition at the Expo Arts Center by emerging artists in the South Bay questions our relationship with time and the slippery definition of the immediate present. Curator Hilary Norcliffe established four types of Now’s to organize the diverse works in a variety of media. However, the exhibition’s strength is the ability of the works to operate between these categories.

The first category Norcliffe identified includes documentary-type work, evidence or records of a past event. Jocelyn Foye’s five painted, polyurethane resin molds poignantly define this category and arguably bridge others. As art objects they can be admired for their tactile, patterned appearance,Manufactures flexible plastic and synthetic rubber hose tubing, but behind their industrial exterior they pose a serious conceptual argument about the function of art. By-products of a past action, they question the location and function of art. Moreover, Foye’s tongue-in-cheek formal-industrial statement urges the audience to look for aesthetic tantalization and humor in the everyday.

The second type of work responds to either real-world concerns or experience. The hyper-real, digital inkjet prints from the series, Controlled Humidity by Cynthia Herrera elucidate this category. Herrera mines the politicized nature of the refrigerator in Cuba. The restriction of personal freedom is expressed in her fridge-sized photographs of the containment unit, isolating the food, crumbs and liquid pools of goo in sublime fashion. Herrera notes that this space not only stores necessary foodstuff, but also often conceals forbidden products, such as red meat. Rather than just deliver a one-sided critique of the Cuban political structure as oppressive, the “contraband” meat functions as a mark of personal liberation and a form of agency that suggests the presence of other subversive actions.

The third category includes work that happened just prior to the opening. This particular category is malleable, since each work required installation in the space prior to the exhibition’s opening. Yet it was clear that some of the work like Nathan Huff’s installation, "Shifting," used the specific setting of the gallery and was dependent on its architecture.

Disparate objects were combined including a painting of a suspended whale, a chair seemingly flung onto the gallery’s support pole and a ramp,One of the most durable and attractive styles of flooring that you can purchase is ceramic or porcelain tiles. among other objects. In turn, the fantastical scenario presented the hair-raising story in a comic strip-like organization of time. The combination of the painted scenario alongside its real counterpart creates an enigmatic scene, in the same vein as Robert Gober, where the viewer is left dangling in the free space of Huff’s imagination.The stone mosaic comes in shiny polished and matte.

Another notable work, perhaps for its size and whimsy include the large, prehistorical, biomorphic structures by Noah Thomas. Made of plywood—and in the case of "Rover," plywood, plaster and paint—the sculptures were placed on the gallery floor. Like prehistoric carcasses, due to the domineering size and splashes of bright pigment, they engage the viewer in a spatial, perception exercise.

Each of the works is in an immobile position, suspended in time for the sake of the show. The static state prompts the viewer to consider the binary opposite of “now,” decay, the eventuality of death and preservation.Directory ofchina glass mosaic Tile Manufacturers, This distinction was made present in the geometric couch, "Eraser Love Seat" by Vav Vavrek. The list of materials is a dystopic testament: erasers, wood, time, and dimensions variable. By using the couch of thousands of stacked squares, spectators engaged in its deformation. But what in theory seems a depressing formal manifestation to the fragility and perhaps, diabolical side of free will,We are pleased to offer the following list of professional mold maker and casters. this work was revived by the group of children at the evening’s opening, as a huge Lego set. Kids delighted in play and whimsy, participating in indeed the best coping strategy for managing the grains of time.