2013年3月31日 星期日

Print spots wall value

But seriously, folks, it's true: newspapers are making a comeback on investors' radars. They are no longer seen as old technology assets in terminal decline.We have a wide selection of stonemosaic to choose from for your storage needs. Their fortunes are looking up and there's one main reason: digital subscriptions.

New revenue streams created by charging readers to access newspaper websites are stabilising newspaper economics in the US and Britain. They have not replaced the rivers of gold flowing from classified ads that were lost to the internet in the past couple of decades; nor have they plugged the hole caused by the post global financial crisis display advertising recession.

But they are adding enough to make the future a lot less grim. More and more mastheads are opting to follow the lead of the paywall pathfinders. Britain's The Daily Telegraph announced last week it would establish a paywall similar to The New York Times that allows 10 free visits a month before demanding a fee. The following day, the tabloid The Sun announced it would soon begin charging for online access.

The Sun, part of the News Corporation stable, which includes The Australian, will be the first major British tabloid to charge readers and will be a critical test. Paywalls have worked best for titles that have quality journalism and specialist information, such as The Wall Street Journal and the The Financial Times.

The Australian has a paywall that limits access to most features and some news stories to holders of a "digital pass" and the Melbourne Herald Sun is following a similar route. Fairfax Media, after years of trying to build traffic volume by keeping its The Sydney Morning Herald and The Age sites free will soon introduce a subscription model.

The success of the NY Times pay system means the newspaper now makes more out of subscriptions - print and digital - than from advertising. Its future is in its readers' hands, which is a big incentive to maintain and build its journalistic standards. The NY Times has more than 650,000 digital subscriptions, which along with a print cover price increase helped it back into the black last year. In Britain, the upmarket The Times is also experiencing growth, albeit slower, with about 135,000 online subscribers.

In spite of the success of the paywalls there is debate over their ultimate effect. Papers that charge for access run the risk of taking themselves out of the social media conversation,We provide payment solutions in the USA as well as industrialextractor. raising concerns about their ability to attract online advertising. The Times has halved its number of web visitors since the paywall was erected. It now has a print and online weekday readership of 5.5 million, compared with more than 12 million for The Guardian and 11.9 million for the Daily Telegraph.

But News International, owner of The Times, says there is a vast difference between "reach" and "influence" and research clearly shows subscribers value the information they access far more than that available on free sites.

These prices - between three and five times earnings before interest, tax and depreciation - are much more attractive than the more traditional 10 times earnings multiples. Deals can be done without loading assets with unhealthy debt levels, making newspapers viable for some cashed-up local business people who see value in having an influential voice in their communities. Warren Buffett has snapped up 63 newspapers in the past 15 months through his Berkshire Hathaway Media, which concentrates on local news.

There is another interested party casting his eye over titles such as the LA Times and the Chicago Tribune - Rupert Murdoch. Murdoch, nearing the end of the process that will split News Corporation into an entertainment business (Fox Group) and publishing business (News Corp),The term 'drycabinets control' means the token that identifies a user is read from within a pocket or handbag. would love to add major titles to the new News. It already owns The Times and The Sun, the NY Post and WSJ,A parkingguidance is a portable light fixture composed of an LED lamp. as well as this newspaper and state-based dailies.

The new company will be spun off with $2.6bn cash in the bank and no debt. How it spends that money will be keenly watched - to buy and build new-tech digital transactional brands to hasten the transition of the business from print to digital or snap up old-tech yet strategic major US titles.

In order to win the LA Times or the Chicago Tribune, Murdoch will have to get a waiver from US federal authorities because News owns television stations in those markets. He already holds a waiver for the NY Post, but getting new ones might be harder given that he is not seen as a friend of the Democratic administration in Washington.

The most propagandistic aspect of the US War on Terror has been, and remains, that its victims are rendered invisible and voiceless. They are almost never named by newspapers. They and their surviving family members are virtually never heard from on television. The Bush and Obama DOJs have collaborated with federal judges to ensure that even those who everyone admits are completely innocent have no access to American courts and thus no means of having their stories heard or their rights vindicated. Radical secrecy theories and escalating attacks on whistleblowers push these victims further into the dark.

It is the ultimate tactic of Othering: concealing their humanity, enabling their dehumanization, by simply relegating them to nonexistence. As Ashleigh Banfield put it her 2003 speech denouncing US media coverage of the Iraq war just months before she was demoted and then fired by MSNBC: US media reports systematically exclude both the perspectives of "the other side" and the victims of American violence. Media outlets in predominantly Muslim countries certainly report on their plight, but US media outlets simply do not, which is one major reason for the disparity in worldviews between the two populations. They know what the US does in their part of the world, but Americans are kept deliberately ignorant of it.

What makes Dirty Wars so important is that it viscerally conveys the effects of US militarism on these invisible victims: by letting them speak for themselves. Scahill and his crew travel to the places most US journalists are unwilling or unable to go: to remote and dangerous provinces in Afghanistan, Yemen and Somalia, all to give voice to the victims of US aggression. We hear from the Afghans whose family members (including two pregnant women) were slaughtered by US Special Forces in 2010 in the Paktia Province, despite being part of the Afghan Police,Manufacturer of the Jacobs affordablewedding. only for NATO to outright lie and claim the women were already dead from "honor killings" by the time they arrived (lies uncritically repeated, of course, by leading US media outlets).

Scahill interviews the still-traumatized survivors of the US cruise missile and cluster bomb attack in Southern Yemen that killed 35 women and children just weeks after Obama was awarded the 2009 Nobel Peace Prize. We see the widespread anger in Yemen over the fact that the Yemeni journalist who first exposed US responsibility for that attack, Abdulelah Haider Shaye, was not only arrested by the US puppet regime but, as Scahill first reported, has been kept imprisoned to this very day at the direct insistence of President Obama. We hear from the grandfather of 16-year-old American teenager Abdulrahman al-Awlaki (he is also the father of US cleric Anwar al-Awlaki) - both before and after a CIA drone killed his son and then (two weeks later) his teenaged grandson who everyone acknowledges had nothing to do with terrorism. We hear boastful tales of summary executions from US-funded-and-directed Somali warlords.

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